#What is pre delay how to

Try it with slower songs that have rhythmic vocals. Now the singer will stay in the forefront with little reverb while he or she is singing, but once the vocal stops, the compressor stops working and the reverb swells up, giving the vocal a nice long tail.

Using your compressor's side-chain input, link it to your vocal track and tweak the compressor so that it suppresses the reverb every time the vocal starts. For instance, if you have a really big reverb that you want to swell up every time the vocals stop, then insert a compressor after the reverb instead of the gate. You can use a compressor instead of the gate if you want the effect reversed.

#What is pre delay how to

By side-chaining it to your track, it only plays when the snare hit plays, and for as long as you want, dictated by your settings with the gate.ДЇor some additional reading on gates, check out Mo Volans's How to Use Gate Plug-ins Effectively. By tweaking the threshold, attack and release you can get a reverbed sound that lasts as long as you want.Use the side-chain of the gate and make it listen to the original track you sent there(i.e.Send your desired track to an aux channel and insert a reverb.

In case you don't know how to make a gated reverb, here are the steps: You can get away with using gated reverbs without making your tracks sound like Duran Duran. Using gated reverbs don't necessarily have to have the 80s stigma attached to them. It's basically a way to get a big reverb sound without cluttering up your mix with the long decay and tail those big reverb sounds usually have. Take a listen to Prince's вЂњPurple RainвЂќ and you'll hear a great example on the snare.

The infamous gated reverb from the 80s is a familiar sound.